- Removing pops amadeus pro mac os#
- Removing pops amadeus pro portable#
- Removing pops amadeus pro software#
The current version of Amadeus II (3.8.7) runs natively under Mac OS X, and also works fine under Mac OS 9.2. The program I’ve been using all this time, properly called Amadeus II, is a Carbon program. To use it is to love it.Īs of mid-January 2007, Amadeus comes in two versions. It has an amazing breadth of abilities, combining serious power with delightful simplicity, at an astonishingly low price.
I’ve been using it for over six years, for a variety of purposes, and throughout that time it has remained firmly and indispensably central to my sound-processing activities.
Removing pops amadeus pro software#
If the Book of Ecclesiastes were written today, it might include some jaded commentary on the plethora and ephemerality of computer programs – something along these lines: “Software cometh and software passeth away, and countless as the sands are the reviews thereof.” Nevertheless, those sands do conceal an occasional treasure and one such is Martin Hairer’s Amadeus.Īmadeus is a sound file editor.
Removing pops amadeus pro portable#
Preview selections, portable power for a MacBook Pro
Analyze menu > Find Maximum (or Command + Option + P)ģ. In some cases, it was more prominent in one channel, so I experimented with only repairing one channel but I ended up preferring to repair both channels because it sounds more natural.Īmadeus Pro has a nice feature where it can find the maximum sample for the selected area. Amadeus Pro has its own vinyl audio repair tool but it works much like the rest in that you zoom in on the loud 'click' and select only that area to repair. I tried the OP's method in Amadeus Pro and I'm happy with the result. I had a good spot for both video and sound, but at times people would raise their hands up to my head's level and clap right next to the mics (I was seated on a tall stool most of the time). Last night, I recorded video for a friends' band performance in a small room at a brewery (Sonic Studios omnis > Nikon D3300 > Quicktime mov file). I use the 40% down and 60% up as what works for me and as sort of a maximum, above and below which I can really hear the amplificationĪnd, of course, save your unedited files.īumping to share my experience. Of course, it goes without saying that the flat section in the middle where we are slope=0% should be "played with" until it sounds best to you. Note that the basis is 200% at the top and 100% in the middle, so the envelope amplifies when above the center Here's a screen shot of the applause lowering envelope, note the basis is 100% at the top, so the envelope goes lower than that below the topĪnd here's the 160% amplify upward. Combining these 2 has really worked well for me for a nice sounding recording of quiet music that was "enthusiastically appreciated" by the audience. I have also combined this in a "reverse fashion" by amplifying quiet music using the envelope amplify function going from 100% up to 160%, then again back to 100 sharply. This gets a natural sounding 40% reduction in the applause. I start at 100%, drop relatively quickly to 60% (usually) carry a flat 60% across the bottom of the envelope and then sharply back up to 100%, spline the curves (asymtotic). Not sure if I've posted in this particular thread or not, but the envelope ampilfy works great for this.
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